FEMALE GAZE PADA FILM HALA (2019) MELALUI ANALISIS SINEMATOGRAFI JOSEPH V. MASCELLI
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Shike Wenna Septica
Program Studi Televisi dan Film Universitas Jember
Muhammad Zamroni
Program Studi Televisi dan Film Universitas Jember
Denny Antyo Hartanto
Program Studi Televisi dan Film Universitas
ABSTRACT
This study explores the concept of Female Gaze in the film "Hala" using Joseph V. Mascelli's cinematography theory. The research focuses on visually representing Female Gaze in the film to depict the life experiences of the main character, Hala. Through various cinematography elements, the film portrays subjective viewpoints that guide the audience's attention to significant moments in Hala's life, evoking a strong Female Gaze. This enables viewers to empathize with the female perspective conveyed through the film's visual storytelling.
Keywords: Female Gaze, Cinematography, Representation
REFERENCES
Gamman, Lorraine. 1988. THE FEMALE GAZE: Women as Viewers of Popular Culture. London: The Women’s Press.
Moleong, Lexy J. 2015. Metodologi Penelitian Kualitatif. Edisi Revisi. Bandung: PT Remaja Rosdakarya. (PDF)
Mulvey, Laura. 1989. Visual and Other Pleasure. New York: Palgrave.
Nelmes, Jill. 2007. Introduction to Film Studies (chapter: WOMEN AND FILM - Representation of Gender and Sexuality. New York: Routledge. (PDF)
Sobur, Alex. 2003. Semiotika Komunikasi. Bandung: PT. Remaja Rosdakarya.
Soehartono, 2008. Irwan, Metode Penelitian Sosial. Bandung: PT. Remaja Rosdakarya.
Sugiyono. 2012. Metode Penelitian Kuantitatif, Kualitatif dan R&D. Bandung: Alfabeta.
V. Mascelli, Joseph. 2010. The Five C’s of Cinematography (LimaJurus Sinematografi). Jakarta: FFTV IKJ.
Soloway, Jill. “The Female Gaze” Youtube, diunggah oleh TIFF Originals,2016. https://www.youtube.com/watch?v=pnBvppooD9I&t=705s.
Published
19-04-2026
Issue
ROLLING Volume 9 Nomor 1 Tahun 2026
Pages
1-9
License
Copyright (c) Authors. Published by ROLLING Journal under a Creative Commons Attribution 4.0 International License (CC BY 4.0)
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